Thursday, 3 October 2013

Lesson 2

Mike Alfred’s continued

 

In this lesson we focused more on Given Circumstances and objects and how they can make a character or performance more naturalistic and so that the audience invest in it.  

The first exercise that we did was a mime exercise where we had to mine an activity such as ironing or doing your hair. When miming we had to really feel the weight, shape and texture of the objects that we were using for our activity. At first this took time to get into and used to and to really feel the objects that we are working with and making them realistic. Once I got into it I found that it was okay to do but I just had to keep concentration and consistency with what I am doing. We then had to create a person that we were doing this task for; why and our relationship with the person. For my mime I was cleaning my shoes, for my Dad because he won’t let me go out with them dirty. This completely defined the way that I approached the task and how physicality and manner, for example I was really annoyed because I didn’t like being told what I was doing, this made my movements really uncommitted and frustrated. This was really helpful and interesting to explore because it show how an objective like to clean can have some many different ways of being done and the other circumstances can really change what your doing and how this can tell a story to the audience and about the relationships and the characters without saying anything. This highlighted the importance of physicality and how expressive it can be and can connect to the audience through movement and facial expressions not just text.  

The exercise was then developed as an environmental element was added to the mime, for example my mime was situated outdoors in the bitter cold. This was really useful to explore because it showed how the environment can change or develop a mime as mine got a lot quicker because I wanted the task to be done as quickly as possible and got more and more frustrated by having to do the activity. This helped me to think off how acknowledging the environment can enhance the reality of the performance and although we would be on a stage indoors, taking the environment that the scene is set into consideration is really important to bring the audience in and to make them to believe in the situation and the play.  

We then did the same exercise but with a partner, again with out words and had to work together to do a task and then we put in the same given circumstances such as a shared objective, relationship, place and environment. This exercise allowed us to explore communication with another through bodies and expression without words and how a story and relationship between two people can be transferred to an audience through their physicality and distance and treatment of each other. We then both got given an individual objective; I found that this made it harder because we had to communicate something to another that may contrast with what their one is. However I think it shows the reality on stage of how you don’t always know what another person wants or is thinking and some characters may be completely different inside than others perceive them, so this was helpful to explore and learn to work with. We also related this to “Our Country’s Good” and how we could develop characters relationships through our bodies and how on stage we could communicate even if we don’t have many lines. It also opens up certain objectives that types of characters would have and made us begin to think about our characters own objectives.

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